A New Canadian Myth for New Canadian Times (By Sheila Heti)
Sheila “It’s a rich, complex, and intelligently critical world we inhabit: a world that produces great art, and that does not burn brightest when the CBC or the Globe take notice, or when the Americans or Brits do. It’s a world populated by writers and artists who give help and recognition without scoping the horizon for whether the arbiters are near. We are the arbiters. Whether the myth of Canadian achievement includes this world or not, this world exists. It’s true.”
The Globe and Mail—the newspaper I saw my father reading every day when I was growing up—published a profile of me this past weekend. In it, a familiar Canadian story was told: Canadian artist, neglected in Canada, finds acclaim in the States, and only then at home. While there is certainly some truth to this, and a lot of what I said in the piece seemed to corroborate it, I made a point of telling the journalist that my story feels different to me, as does the story of my latest book’s publication, and that I think it’s time for a new story.
Of course, what one says in an interview is always used to support the myth the journalist has—or in this case, that Canada generally has of Canadian artistic success. But it’s not precisely the case that n+1, or the article in the Observer
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